The things are there. Every day
"things", objects, an eye, a hand holding a baby lizard, nothing
spectacular, that which most people would pass by without noticing. It takes an
artist, with an eye for the relevance of the domestic and the well known, to
turn these into the subject of photography.
I personally appreciate art that draws its inspiration from what there
is at hand, the way Chardin or Vermeer did in their time.
A plate of cherries on a newspaper, a
figure walking on a bridge against a cloudy sky, a stroller in a corner in an
indefinite bare room. Some images are
blurred. Is this because the artist
questions her perception, as she does in the text introducing this portfolio? Low keyed and austere simplicity are the norm
in Bea Fresno's work. She seems to have matched the feeling of dispossession in which her
generation learnt their craft as artists in her native Argentina, to the down
to earth Dutch spirit in the Netherlands, where she has lived most of her adult
life.
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